For Japan's Shimada, already a skating star, the Olympics remain a long way off

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For Japan's Shimada, already a skating star, the Olympics remain a long way off

What more is there to say about Mao Shimada?

Only that it is too bad the new minimum age rules for international events will keep the 16-year-old Japanese skater from competing in the 2026 Olympics, notwithstanding her having won a record third straight World Junior Figure Skating Championship Saturday in Debrecen, Hungary.

She did it a free skate score of 156.16, highest in the world since the 2021-22 season, seniors and juniors included  - even though junior free skates have one fewer scoring element than senior.

She did with a total score of 230.84 that ranks second in the world this season.  It trails only the 231.88 of her countrywoman, Kaori Sakamoto, winner of the last three senior world titles.  Shimada’s score was the highest ever at junior worlds, topping her 224.54 from two years ago.

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Ten years later, Queen Yuna’s iconic crown glitters with transcendent brilliance

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Ten years later, Queen Yuna’s iconic crown glitters with transcendent brilliance

How could a 19-year-old woman achieve perfection while bearing an entire nation’s hopes and the baggage of its past, while 50 million South Koreans stood on her shoulders as she tried to stay upright while doing triple jumps on a slippery surface with knife-thin blades?

That is what Yuna Kim did 10 years ago on this date, lifting spirits in her homeland and elevating herself into a singular place in Olympic history by winning the women’s figure skating title at the 2010 Winter Games.

How? Even Kim still marvels over that, as she said in an email interview done this month through her management company. Even now, the moment confounds her, brings back the nervousness she had in Vancouver and, as it did then, makes her teary-eyed because she feels overwhelmed.

“I always wonder how I did it, and every time I watch, it doesn’t seem real,” she said.

She had not only won South Korea’s first Olympic figure skating gold medal but had beaten an exceptionally talented Japanese rival for it, a fact of no small consequence given the complicated history of relations between Japan and South Korea for five centuries. Sports competitions between the two countries had always been freighted with nationalistic implications.

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Asada's legacy of grace and grit will last forever.

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Asada's legacy of grace and grit will last forever.

Whenever I saw Mao Asada skate well, which she did often, I was reminded of the second line in one of the most famous arias in the operatic canon, "La Donna è Mobile," from Verdi's Rigoletto.

When you get past the trope of the aria's title and opening verse, which scoffs at women for being flighty, you come to the nature of the flight: "qual piuma al vento" -- like a feather in the wind.

That is the best description for the way Asada moved on the ice, even in the later years of her career, when she added the mature elegance of a woman in her mid-20s to the jump that had separated her from nearly every other woman in the sport over the length of that career.

She became lighter than air.

That is how I will remember Asada, who announced her retirement Monday at the age of 26. The timing was a surprise, even if her struggling performances and knee problems over the past two seasons made it clear the time had come.

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